| Breakfast at Tiffany's: Music from the Motion Picture | |
|---|---|
| Soundtrack album by Henry Mancini | |
| Released | 1962 |
| Recorded |
Hollywood, California |
| Genre | Soundtrack |
| Label | RCA Victor Records |
| Producer | Dick Peirce |
Breakfast at Tiffany's: Music from the Motion Picture is the soundtrack from the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn. The tracks were composed and conducted by Henry Mancini, except for "Moon River" and "Moon River Cha Cha," which were also composed by Johnny Mercer. At the 1962 Academy Awards, Mancini and Mercer won Oscars for Best Original Song for "Moon River," while Mancini picked up a second statue for Best Original Score. The album also stayed on Billboard’s album charts for over ninety weeks.[2]
Contents |
Because of his success with title themes, such as the hit theme to the television show Peter Gunn, Henry Mancini was asked by director Blake Edwards to compose the soundtrack to Breakfast at Tiffany’s. Mancini chose to go against the grain and compose a jazz based soundtrack that was contrary to the rock craze that was present in America during the early sixties. This was not surprising because he was the protégé of jazz legend Glenn Miller, and created the Academy Award winning score for The Glenn Miller Story.[3] After a preview screening of the film an executive from Paramount was convinced that the song “Moon River” was dead weight in the film and it was due to be cut. Upon learning this Hepburn threw a fit and responded, “Over my dead body.”[4] This response was likely due to the friendly relationship that she had with Henry Mancini. Subsequent to the insistence that the song stay in the film it was not cut and went on to be a hit.
Like all great works, this album would not have been such a success were it not for the effortless team that worked to produce it. Blake Edwards and Henry Mancini met through Mancini’s wife whom Edwards had known for a number of years. After connecting they decided to collaborate on the television show Peter Gunn, for which Mancini created the title theme. When Edwards learned he would be directing Breakfast at Tiffany’s he chose Mancini as his partner. Both times their partnership scored gold ,and went on to work collaborate on four other films together.[5] All the credit for the song “Moon River” cannot be given to Mancini, as Johnny Mercer provided the lyrics for the song. The pair of artists also had a smooth relationship, which resulted in the creation of this timeless song.[6] After Mancini played the melody for Mercer, he offered three different variations of lyrics and the two decided on a final combination. Although over ninety jazz musicians and artists have covered the song “Moon River” Mancini fully believed that Hepburn’s was undoubtedly the best. He is quoted saying, “Moon River was written for her. No one else has ever understood it so completely. There have been more than a thousand versions of "Moon River", but hers is unquestionably the greatest.”* Mancini held complete adoration and respect for Audrey Hepburn and it was clear that the feeling was mutual. After watching the film Audrey wrote a letter to Mancini saying, “Your music has lifted us all up and sent us soaring. Everything we cannot say with words or show with action you have expressed for us. You have done this with so much imagination, fun and beauty. You are the hippest of cats - and the most sensitive of composers!”[7]
The album includes twelve original compositions that can be enjoyed on their own but also contribute to the mood of scenes and plot line of the film. The title song “Moon River” serves as an identifier and unofficial theme song for the movie. It is featured at the beginning and end of the movie which adds to the lasting impression that it leaves. It also adds to the personality of the character Holly Golightly, played by Audrey Hepburn. She sings the song in the film and the lyrics add to the strength and humility of her character. It expresses her grief over the loss of her brother and her longing to be secure again. It serves as the immersion of Holly Golightly’s sensitive nature and to the loss that she has experienced. Another song that is descriptive of a character in the film is “Mr. Yunioshi.” The character is played Mickey Rooney, and the song represents his kooky and hyper nature. Apart from characterization, several of the songs are made to describe the mood of the scene that it was used in. For example, the song “The Big Blow Out” is used in the scene where Holly Golightly throws a wild bash in her tiny New York apartment. It features a fast pace and bold trumpet solos that mirrors the many crammed and drunken guests, as well as the festive mood of the scene. This album was not only successful when it was released in 1962, as its popularity remaines today. The soundtrack was re-released to France in 2007, Greece in 2008, the Philippines in 2009, and to the United Kingdom in January 2011.[8]
All music composed by Henry Mancini except as noted.
| Year | Chart | Position |
|---|---|---|
| 1962 | Billboard Pop Albums (Billboard 200) (stereo) | 1 |
| Preceded by Holiday Sing Along with Mitch by Mitch Miller |
Billboard 200 number-one album (stereo) February 10, 1962 - April 27, 1962 June 30, 1962 - July 6, 1962 |
Succeeded by West Side Story (soundtrack) by Leonard Bernstein and Stephen Sondheim |